Cyngor Llyfrau Cymru
Burrard Inlet
Burrard Inlet
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Disgrifiad Cymraeg / Welsh Description
Casgliad o straeon byrion arobryn sy'n cyflwyno cymeriadau lliwgar ac amrywiol yn brwydro yn erbyn yr elfennau, yn erbyn ei gilydd ac yn erbyn gwrthdaro o fewn eu personoliaethau unigol. Cafodd nifer o'r straeon eu hysbrydoli gan y tirwedd garw o gwmpas Cilfach Burrard ger Vanocuver. Argraffiad newydd.
Disgrifiad Saesneg / English Description
Burrard Inlet is the body of water that divides Vancouver's North Shore from the rest of the Lower Mainland. In this collection of award-winning stories, Tyler Keevil uses that rugged landscape as a backdrop for characters who are struggling against the elements, each other, and themselves. New edition.
Dosbarthu
Byddwn yn dosbarthu eitemau sydd mewn stoc o fewn 3 diwrnod gwaith, fel arfer drwy Royal Mail Tracked 48. Ar gyfer archebion o flaen llaw, byddwn yn dosbarthu’r eitem o fewn 3 diwrnod gwaith ar ôl ei derbyn gan ein cyflenwr.
Dispatch
In-stock items will be dispatched within 3 business days, usually by Royal Mail Tracked 48. For pre-orders, we’ll dispatch within 3 business days of receiving the item from our supplier.
Manylion y cynnyrch / Product details
- ISBN 13
- 9781910409978
- Gwales Code
- gwales.com.9781910409978
- Gwerthwr / Vendor
- Cyngor Llyfrau Cymru
- Long Title
- Burrard Inlet
- Awdur / Author
- Keevil, Tyler
- Current Price ex VAT
- £7.99
- Current Price inc VAT
- £7.99
- Availability Status (EN)
- Available
- Availability Status (CY)
- Ar gael
- Dyddiad cyhoeddi / Publication Date
- 2015-05-06
- Cyhoeddwr / Publisher
- Parthian Books
- Media Type (EN)
- Paperback / softback
- Media Type (CY)
- Clawr meddal
- Pages
- 254 pages
- Size
- 127 × 203 mm
- Language Code
- English
- Categori / Category
- CY: Nofelau a Storïau ar Gyfer Oedolion (yn Saesneg) | EN: Adult Fiction and Stories (in English)
- Is-gategori / Subcategory
- CY: Straeon Byrion (yn Saesneg) | EN: Short Stories (in English)
Bywgraffiad yr Awdur / Author Biography
Tyler Keevil grew up in Vancouver, Canada, and in his mid-twenties moved to Wales, where he now lives. His short fiction has appeared in a wide range of magazines and anthologies and has also won several awards, most notably the Writers’ Trust of Canada Journey Prize. His first two novels, Fireball and The Drive , were both nominated for the Wales Book of the Year and both received the Wales Book of the Year People’s Prize. He has worked as a tree planter and ice barge deckhand, as well as in factories, restaurants, video stores, and shipyards; he currently lectures in Creative Writing at the University of Gloucestershire.
Adolygiad y Cyhoeddwr / Publisher Review
Burrard Inlet is the body of water that divides Vancouver's North Shore from the rest of the Lower Mainland. In this collection of award-winning stories, Tyler Keevil uses that rugged landscape as a backdrop for characters who are struggling against the elements, each other, and themselves. A search-and-rescue volunteer looks for a missing snowboarder on Christmas Eve; two brothers retreat to the woods to shoot a film in memory of their dead friend; a reclusive forestry worker picks up a hitcher on his way down Mount Seymour; a young man finds a temporary haven on the ice barge where he works. Written in a lean, muscular style, these are stories awash in blood and brine, and steeped in images of freedom and confinement. Within that narrative framework, Burrard Inlet becomes more than a geographical location: it is a liminal space, a boundary and a barrier, a threshold to be crossed. ‘Beneath the deceptively calm surface of these spare and beautiful stories, mad passions boil. There is a transatlantic tradition of studying the interaction between men and nature, in such figures as Hemingway, Carver, McGuane; now Keevil extends and enriches that lineage. He truly is that good.’ --Niall Griffiths (author of Grits , Runt , and Kelly & Victor ) ‘Keevil’s “Tokes from the Wild” is an assured story of a city boy who follows his friend into the countryside to spend a summer tree planting, which soon degenerates into a mess of weed smoke and recriminations.’ -- The Short Review ‘Tyler Keevil’s “Carving Through Woods on a Snowy Evening” tells of a snowboarder, missing on a mountainside not long after an accident, being tracked by hopeful rescuers. “Carving” has…storytelling rich in symbolism; subtle plot devices; and an ending that opens and sings.’ -- New Welsh Review ‘There’s real quality in Tyler Keevil’s gripping tale of mountain rescue, “Carving Through Woods on a Snowy Evening”.’ -- The Western Mail ‘I read Tyler’s amazing story “Sealskin” and was blown away. Beautiful writing...stunning’ --Miriam Toews, author of All My Puny Sorrows ‘Vividly told in muscular prose, Keevil’s stories are compelling evocations of isolation and strength in an often unforgiving landscape.’ --Carys Bray, author of A Song for Issy Bradley ‘ Burrard Inlet is, first and foremost, a collection of short stories that tries to recognise the relationship between humans and nature through separate human identities...This is a piece of work that, without a doubt, should be added to a book-shelf of short-story lovers and novel aficionados alike.’ -- Wales Arts Review ‘The masculine, often unforgiving scenarios which unfold here are a suitable fit for Keevil’s economical – if elegant – phrasing, but a strong moral core is ever-present, and sometimes vindication for the downtrodden.’ -- Buzz Magazine ‘“Sealskin” is a stunner: straightforward and unadorned, but humming with subsurface power. Possessed of a sturdy narrative backbone and unrelenting forward momentum, the story explores familiar themes – alienation, humanity’s relationship to nature, coming of age, and loss of innocence – but does so in a way that seems fresh and vibrant. Strong physical details adjoin keen psychological insights, and Keevil handily builds scenes that reverberate with insight and potency. Keevil has accomplished something rare: a story about rough masculinity that brims with emotion and pathos.’ --The Journey Prize judges ‘Keevil’s writing has been compared to Raymond Carver’s and I can understand the comparison, although the voice is most definitely his own. As with Carver, Keevil’s stories are like ink on wet blotting paper – there’s a dense dark core of story arc, spare but telling detail and dialogue, yet around that dense mass is an aureola of implied back narrative and a sense of a continuum past the final full stop.’ -- CCQ Magazine
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